The cover of Lost Literacies: Experiments in the Nineteenth-Century US Comic Strip

Lost Literacies Strips Down the Dawn of Comics

In his new book, literary historian Alex Beringer demonstrates how the birth of the genre of printed comic long preceded the Sunday Funny Pages.
Surrealist artists at the first Surrealist Exhibition to be held in London. Back row, from left, are Rupert Lee, Ruthven Todd, Salvador Dali, Paul Eluard, Roland Penrose, Herbert Read, E LT Mesens, George Reavey and Hugh Sykes-Davies. Front row, from left, Diana Lee, Nusch Eluard, Eileen Agar, Sheila Legge and unknown.

Surrealism at 100: A Reading List

On the centennial of the founding of Surrealism, this reading list examines its radical beginnings, its mass popularity, and its continued evolution.
Charlotte Cushman, 1843

The Long Shadow of the Jolly Bachelors

More than a century ago, Charlotte Cushman presided over a group of queer female artists who supported one another’s creativity and left a pioneering, if overlooked, legacy.
Impression, Sunrise by Claude Monet

The Art of Impressionism: A Reading List

The first exhibition of paintings that would come to be described as Impressionism opened in Paris on April 15, 1874.
Sa Ga Yeath Pieth Tow, King of the Maquas by John Simon

Indigenous Kings in Londontown

In 1710, Queen Anne of England feted four Native American dignitaries—would-be political allies. Their presence at a performance of Macbeth caused a stir.
An illustration from Winsor McCay's comic strip consisting of 5 panels, featuring a large moon and a little boy.

The Cutting-Edge Cartoons of Winsor McCay

A prolific, meticulous artist, McCay created characters and storyscapes that inspired generations of cartoonists and animators.

Elements of Design: Spotlight on Color

Color, like line, shape, texture, and the other elements of art and design, communicates meaning and creates visually compelling experiences. Here's how.
Marian Anderson with Harold L. Ickes (Secretary of the Interior)

Marian Anderson Photo Archives

The African American opera singer made history with a stirring concert at the Lincoln Memorial. But there was much more to Marian Anderson.
An exhibition of Damage Control by John Baldessari

Why John Baldessari Burned His Own Art

The artist's "Cremation Project" of 1970 marked a liberation from the tradition of painting and a step toward a more encompassing vision.
Travels through Virginia. [From Theodor de Bry's 'America', Vol. I, 1590, after a drawing of John White].

The Construction of America, in the Eyes of the English

In Theodor de Bry’s illustrations for Thomas Harriot’s Brief and True Report of the New Found Land of Virginia, the Algonquin are made to look like the Irish. Surprise.