Coronation of a Black Queen on the Day of Kings by Carlos Julião, c. 1770

The Roots of Catholic Samba

Since the early days of African enslavement in Brazil, Black Brazilians have cultivated rituals that mix Catholic and African elements in the form of holy Samba.
Joseph Bologne de Saint-George

Fencer, Violinist, Composer: The Life of Joseph Bologne

As a musician of color during the Ancien Régime and French Revolution, Joseph Bologne, Chevalier de Saint-Georges, lived a life unlike those of his peers.
John Dyson playing the accordion, 1940

The Accordion Blues

Though many associate the accordion with polkas and klezmer, the instrument played an important role in Black music after its arrival in the United States.
Glee Mandolin, 1900

The Nineteenth-Century Banjo

Derived from an instrument brought to America by enslaved Africans, the banjo experienced a surge of popularity during the New Woman movement of the late 1800s.
Musician Little Richard performs onstage with his band as his saxophone player Grady Gaines stands on the piano in circa 1957 in scene from the movie 'Mister Rock And Roll.'

It’s Still Rock and Roll to Me

Rock and R&B have been considered separate genres for decades. But why?
Frederick Douglass

“What to the Slave is The Fourth of July?”: Annotated

On July 5, 1852, Frederick Douglass gave a Fourth of July speech that became his most famous public oration.
Portrait of Margaret Bonds, 1956

Keeping Scores: Unearthing the Works of Black Women Composers

Black women composers have been active in the US since at least the mid-nineteenth century, yet they’re largely omitted from scholarship on women musicians.
Tammy Kernodle and Stephanie Shonekan

The Scholars Charting Black Music’s Timeline: Tammy Kernodle & Stephanie Shonekan

Kernodle and Shonekan explore the contributions of Black Americans to classical music and the importance of music and song for social justice movements.
Chuck Berry does the splits as he plays his Gibson hollowbody electric guitar in circa 1968.

Race, Rock, and Breaking Barriers

The rock music industry brought more than a little racism to the radio, but a few artists pushed beyond the boundaries imposed by white audiences.
Adherents of Santeria celebrate Santa Barbara on December 4 , 2002 in Isla de la Juventud, Cuba.

Music and Spirit in the African Diaspora

The musical traditions found in contemporary Black U.S. and Caribbean Christian worship originated hundreds of years ago, continents away.