Bay Area Renaissance Festival in Tampa Florida, 2011

Reasons for Re-Enacting at the Renaissance Faire

Why do we love donning period costumes and re-enacting our history through mock battles, pioneer villages, and Renaissance Faires?
Poster for the film The Deadly Mantis, 1957

The War on Bugs

In the 1950s, supersized insects were the villains in a rash of big-screen horror movies. What did those monstrous roaches represent, and how were they vanquished?
Three titles edited by Judy Lynn del Rey

Judy-Lynn del Rey

The woman who revolutionized the fantasy genre is finally getting her due.
A "Gremlin" decorates a B-1B aircraft of the 28th Bombardment Wing at Ellsworth Air Force Base, South Dakota, 1988

Ghosts in the Machine

Forty years ago, Hollywood made gremlins loveable—portraying them as adorable, furry creatures. Their folkloric origins are far more sinister.
The Doctor (Ncuti Gatwa) and Ruby Sunday (Millie Gibson)

Doctor Who, the Traveling Time Lord

Though they each arrive with an individual sense of humor and fashion, the fifteen Doctors reflect the political and social issues of their respective eras.
Mark Zuckerberg

Who Wants the Metaverse?

What exactly is the “metaverse,” and what could it be, beyond an overused, hyper-trendy prompt in marketing copy?
An illustration of mermaids from Puck, 1911, by Gordon Ross

Mermaids: Myth, Kith and Kin

Ariel epitomizes mermaids now, but these beguiling creatures precede her by millennia, sparking imaginations the world over with a hearty embrace of otherness.
From Dawn of the Dead

The Living Dead Embody Our Worst Fears

Zombie movies are scary fun, but they also help us examine our anxieties about contagious disease and unstoppable chaos.
A still from Dune, 2021

The Ecological Prescience of Dune

Frank Herbert’s novel isn't just about space messiahs, giant sandworms, and trippy space drugs. At its core, the sci-fi epic is about ecology.
An illustration from the cover of Grendel by John Gardner

The Question of Race in Beowulf

J.R.R. Tolkien’s seminal scholarship on Beowulf centers a white male gaze. Toni Morrison focused on Grendel and his mother as raced and marginal figures.