The cover of Black Milk by Elif Shafak

Fear and Fertility in Elif Shafak’s Black Milk

Shafak exposes her terror over motherhood’s potential to devour creativity—a panic she imagines sharing with a parade of literary forebears.
Alastair Sim as Scrooge in the film of the same name, adapted from Charles Dickens' novel A Christmas Carol

Annotations: A Christmas Carol by Charles Dickens

Scrooge became as good a friend, as good a master, and as good a man, as the good old city knew, or any other good old city, town, or borough, in the good old world.
From the cover of Published by the Author

Self-Publishing and the Black American Narrative

Bryan Sinche’s Published by the Author explores the resourcefulness of Black writers of the nineteenth century.
Crowd entering the stadium at the 1896 Olympic marathon

The Invention of the Marathon

The Hellenic inspiration for the 26.2-mile races which draw over a million runners yearly worldwide had nothing to do with sport—but everything to do with war.
The Children's Reading Room at the 135th street Branch of the New York Public Library

Nella Larsen’s Lessons in Library School

Larsen’s novels were influenced by her training in the New York Public Library system, where she faced rigid ideas about the racial classification of knowledge.
The Sympathizer

The Ethics of On-Screen Violence in The Sympathizer

Film scholar Sylvia Shin Huey Chong offers a feminist reflection on the theme of rape in Viet Thanh Nguyen’s Pulitzer-winning novel The Sympathizer.
Aerial view of University Square (Piata Universitatii), Bucharest, Romania

The Three Cs of Bucharest

Three big Cs dominate the history of Romania and its capital city, Bucharest. You may know communism and Ceaușescu, but what about Cuza?
The covers of two books, Not Out of Hate by Ma Ma Lay and Irrawaddy Tango by Wendy Law-Yone.

Burmese Women Novelists Speak Out

The novels of Ma Ma Lay and Wendy Law-Yone challenge the limits placed on the voices of Burmese women in the twentieth century.
Bride of Frankenstein, 1935

Bride of Frankenstein

Drawn from the margins of Mary Shelley's 1818 novel, the cinematic Bride of Frankenstein is never just one thing, and she never goes away.
Laura Kieler

Laura Kieler: A Life Exploited

Norwegian playwright Henrik Ibsen mined Kieler's life for the plot of his most famous play, The Doll's House.