Plus his manifesto on Personism and writings about O’Hara by Ted Berrigan, Joseph LeSueur, and Joe Brainard.

In 1964, Dylan decided that he wanted to make a different kind of music.

The Kashmiri American illusionist and mystic drew on his legendary powers of concentration to entertain and astound (in)credulous audiences.

But it didn't work. The rumor, spread by the underground press in 1967, probably led to many disappointed hippies.