In 1939, Dole Pineapple Company sent Georgia O’Keeffe to Hawaii for three months in order to produce works that could be used in their advertisements.

The National Museum of Women in the Arts exhibit “Women House” pays tribute to the foundational 1972 project of Judy Chicago and Miriam Schapiro’s “Womanhouse.”

The "Red Rose Girls"—Violet Oakley, Jessie Wilcox Smith, and Elizabeth Shippen Green—met at the Pennsylvania Academy of Fine Arts in the 1880s.

Art historian and critic, Linda Nochlin changed the field of art history, shifting both the field and the viewer’s gaze.

Beatrix Potter's biography covers a lot more than just cute bunnies getting into trouble in mean old Mr. McGregor's farm. Not that there's anything wrong with that.

Louisa May Alcott's "Little Women" is a cultural touchstone. But what about the women behind the "Women," Alcott's real-life sisters on whom she based her characters? An interview with novelist Elise Hooper considers the life of "The Other Alcott."

Margaret and Frances Macdonald and their Glasgow School of Art classmates Charles Rennie Mackintosh and Harold MacNair were Art Nouveau's Glasgow Four.

Postmodernist painter and printmaker Emma Amos makes artwork that references historical figures as well as her family legacy.

Butter sculpture is a fixture of American state fairs. The practice of using food as a medium for art dates back centuries.

The American GIrls' club was created not only to feed and house American girls in Paris in the 1890s